Which of the following Were Part of Motown's Funk Brothers?

The Funk Brothers were a group of Detroit-based musicians who performed with Motown artists from 1959 until the late 1970s. The group played on numerous Motown hits, including those by Marvin Gaye, Diana Ross, and Stevie Wonder. The Funk Brothers were inducted into the Rock and Roll Hall of Fame in 2002. The group's most prominent members included bassist James Jamerson, drummer Richard "Pistol" Allen, guitarist Robert White, and keyboardists Earl Van Dyke and Johnny Griffith.

The Funk Brothers were born out of the ashes of the Motown Sound. After Hitsville U.S.A., the label's first studio in Detroit, burned down in 1962, Motown founder Berry Gordy Jr. decided to move the label's operations to Los Angeles. Many of the label's top performers, including Smokey Robinson, Diana Ross, and the Supremes, followed Gordy to the West Coast. The Funk Brothers, however, remained in Detroit.

Gordy had originally intended for the Funk Brothers to be Motown's in-house band, but the group's decline in popularity after the move to LA made that impractical. Instead, the label began using session musicians for its recordings. The Funk Brothers, though no longer the first-call studio band, remained an important part of the Motown family.

The group continued to play on Motown recordings, including hits like Gaye's "I Heard It Through the Grapevine" and Wonder's "My Cherie Amour." They also toured with Motown acts when they came to Detroit.

The Funk Brothers' last active years were the 1970s. By this time, most of the members were in their 50s and 60s. The group's work began to suffer as a result of their declining health and increasing substance abuse problems.

The group's final recording was 1977's "Standing in the Shadows of Love," a track on the Commodores' album of the same name. The Funk Brothers' last live performance was at the group's induction into the Rhythm & Blues Foundation Hall of Fame in 1999.

As the Funk Brothers' health declined, so too did Motown's fortunes. The label was sold in 1988 and ceased to be a major force in the music industry. However, the Funk Brothers' legacy endures. Their contributions to the Motown Sound are still heard in the music of today.

As one of the most prolific and influential groups of session musicians in history, the Funk Brothers played on countless Motown records throughout the 1960s and 1970s. Though they were never an official band with a fixed lineup, the core group of musicians who made up the Funk Brothers included bassist James Jamerson, keyboardists Earl Van Dyke and Joe Hunter, guitarist Marvin Tarplin, and drummer Richard "Pistol" Allen.

The Funk Brothers were the backbone of the Motown sound, providing the tight, groove-based rhythms that anchored hits by artists like Marvin Gaye, Diana Ross, Stevie Wonder, and Smokey Robinson. Though they rarely received credit on record, the Funk Brothers were responsible for some of the most iconic tracks in popular music history, including "I Heard It Through the Grapevine," "Ain't No Mountain High Enough," and "I Want You Back."

In the late 1990s, the Funk Brothers' contributions to Motown history were finally recognized when they were featured in the documentary Standing in the Shadows of Motown. The film brought the surviving members of the group together for a reunion performance, and they were subsequently inducted into the Rock and Roll Hall of Fame in 2002.

The Funk Brothers were a group of African-American session musicians who performed the backing tracks for many Motown Records recordings from 1959 to 1972. The core members of the group were bassist James Jamerson, pianists Earl Van Dyke and Joe Hunter, guitarist Robert White, and drummer Richard "Pistol" Allen. These musicians were in high demand due to their mastery of the Motown Sound, which was a mix of R&B, soul, and pop. In addition to the core members, the Funk Brothers also included a rotating cast of other musicians, horn players, and string players. The total number of musicians who can be considered Funk Brothers is estimated to be between 20 and 30. While the exact number of musicians who were part of the group is unknown, it is clear that the Funk Brothers were a key part of the Motown sound and helped to make the label's recordings some of the most popular and iconic of the 20th century.

The Funk Brothers were a group of Motown studio musicians who played on the majority of the label's hits from 1959 to 1972. The group's core lineup consisted of bassist James Jamerson, keyboardists Earl Van Dyke and Joe Hunter, guitarist Robert White, and drummer Benny Benjamin. Additional members included trombonist Richard "Pistol" Allen, percussionist Jack Ashford, and saxophonists iPhone Eugene and David Van dePitte.

The Funk Brothers' signature sound was characterized by a heavy groove and a focus on the rhythmic groove over melody. The group's tight, syncopated playing was the perfect foundation for the infectious hooks and catchy melodies of the Motown sound.

The group's bassist, James Jamerson, is widely regarded as one of the greatest bassists of all time. His innovative and groove-oriented approach to the bass guitar was a major influence on the sound of Motown.

The group's keyboardist, Earl Van Dyke, was also a highly skilled and prolific musician. He was responsible for the choice of instrumentation on many of the group's recordings, and his keyboard work can be heard on some of the most iconic Motown hits.

The group's guitarist, Robert White, was a highly versatile player whose style ranged from R&B to jazz. His understated but tasteful playing was an important component of the group's sound.

The group's drummer, Benny Benjamin, was a highly influential musician whose drumming style was copied by many other drummers. His powerful and precise playing was the perfect complement to the group's tight groove.

The Funk Brothers were a highly influential group of musicians whose playing style and sound was a major force in the development of popular music in the 20th century.

The Funk Brothers were a group of Motown musicians who played on many of the label's hit records. They were not a band in the traditional sense, but rather a loose aggregation ofSession musicians who did the majority of their recording work at the legendary Hitsville U.S.A. studio in Detroit, Michigan.

The Funk Brothers were the unsung heroes of Motown for many years. It wasn't until the release of the documentary film Standing in the Shadows of Motown in 2002 that they began to receive widespread recognition for their contributions to some of the biggest hits of the 1960s and 1970s.

The Funk Brothers' first album was released in 1969 and was titled The Return of the Funk Brothers. The album was not a commercial success, but it did garner some critical acclaim.

In the years since the release of The Return of the Funk Brothers, the group's legend has only grown. Their work is now widely recognized as some of the most important and influential in the history of popular music.

Funkadelic was the Funk Brothers' first album and was released in 1970. The album was a mix of psychedelic rock and soul and featured the hit single "I Got a Thing, You Got a Thing, Everybody's Got a Thing". The album peaked at number 31 on the Billboard 200 and was certified gold by the RIAA.

The Funk Brothers were a group of session musicians who played on Motown records in the 1960s and 1970s. They were the house band at Motown's Hitsville USA studio in Detroit, and played on many of the label's most successful recordings. They were inducted into the Rock and Roll Hall of Fame in 2002.

The Funk Brothers released a total of three albums: Two of these were live albums, while the third was a studio album.

The first album, Live at the 20 Grand, was recorded in 1963 and released in 1964. It featured the group playing instrumental versions of Motown hits such as "My Girl" and "Ain't Too Proud to Beg."

The second album, Live at the Copa, was recorded in 1967 and released in 1968. It featured the group playing soulful versions of Motown hits such as "I Heard It Through the Grapevine" and "Ain't No Mountain High Enough."

The third and final album, The Funk Brothers, was recorded in 1970 and released in 1971. It featured the group playing funky versions of Motown hits such as "Get Ready" and "I Want You Back."

The Funk Brothers released a total of three albums over the course of their career. Two of these albums were live albums, while the third was a studio album. Each of these albums showcased the group's talent and ability to bring Motown hits to life in their own unique way.

The Funk Brothers were a prolific and highly influential group of Detroit-based session musicians who performed on Motown records in the 1960s and 1970s. The group disbanded in the early 1980s, but reformed in 1999 and released an album of new material entitled "Return of the Funk Brothers". The album was well-received by fans and critics alike, and is considered to be one of the finest examples of contemporary funk music.

The Funk Brothers were Motown's in-house studio band, and they were responsible for playing on some of the most iconic songs in history. They were a close-knit group of musicians who became friends and family over the years, and they were incredibly tight musically. But despite their success, the Funk Brothers eventually broke up in the early 1970s.

There are a few factors that contributed to the Funk Brothers' breakup. One was the changing sound of Motown in the 1970s. The label was moving away from the classic Motown sound that the Funk Brothers were so instrumental in creating, and towards a more polished, pop-oriented sound. This change meant that the Funk Brothers were being used less and less on Motown records.

Another factor was the death of Motown founder Berry Gordy Jr.'s first wife, Raynoma Liles Gordy, in 1971. Berry Gordy was devastated by her death, and it had a profound effect on him and on Motown. He became more reclusive and isolated, and he began to micromanage the label more than he had in the past. This change in Gordy's demeanor made it difficult for the Funk Brothers to work with him, and they began to feel like they were being sidelined at Motown.

The final straw came in 1972, when Motown moved its operations from Detroit to Los Angeles. The Funk Brothers were offered contracts to move with the label, but they all decided to stay in Detroit. They felt like they were being forced out of Motown, and they were reluctant to uproot their lives and leave their hometown.

Without the Funk Brothers, Motown just wasn't the same. The label tried to replace them with session musicians, but it was never the same. The Funk Brothers were one of a kind, and their absence was felt deeply by both Motown and the music world.

The Funk Brothers' legacy is still being felt today. They were one of the most important and influential groups in music history, and their contributions to Motown and to the sound of popular music are immeasurable. The Funk Brothers may be gone, but their music will live on forever.

The Funk Brothers were a group of African-American session musicians who played on many of Motown's hit records in the 1960s and 1970s. The group was originally composed of eight musicians: James Jamerson, Sr. (bass guitar), Bob Babbitt (bass guitar), Earl Van Dyke (piano), Richard "Pistol" Allen (drums), Uriel Jones (drums), Jack Ashford (percussion), Eddie Willis (guitar), and Joe Messina (guitar). The group's lineup changed over the years, with some members leaving and others joining.

The Funk Brothers were the house band at Motown's Hitsville U.S.A. recording studio in Detroit, Michigan. They were responsible for the majority of the instrumentation on Motown records. The group's work on Motown records helped to define the Motown Sound.

The Funk Brothers broke up in the late 1970s, after more than a decade of playing together. There is no definitive answer as to why the group broke up. However, there are a few possible factors that may have contributed to the dissolution of the band.

One reason for the Funk Brothers breaking up could be that they were simply tired of playing together. After years of recording and touring, the members of the group may have wanted to pursue other interests. Additionally, the group may have been fractious due to disagreements over creative direction or money.

Another possible reason for the Funk Brothers' break-up is that Motown founder Berry Gordy, Jr. was increasingly relying on synthesizers and drum machines in the studio, which limited the role of the live musicians. This shift in production methods may have made the Funk Brothers feel unnecessary and led to their decision to disband.

Whatever the reason for the Funk Brothers breaking up, their impact on popular music is undeniable. The group's work helped to shape the sound of Motown and influenced countless other musicians. The Funk Brothers were true legends of the music industry and will be remembered for their contributions to popular music.